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本书选录了尼采著作中的经典段落进行编译,深刻地体现了尼采的经典人生感悟和哲学思想,旨在启发读者以何种世界观和思维进行思考和抉择,当面对人生命运的浮沉时,应如何发挥出自己的最大能量,用自己的方式诠释生命的意义。.
本书对原著进行了梳理和分析,概括为逍遥游、齐物论、养生经、人间世、论大道、政治观六个部分,采用全新的图解方式,插入160幅手绘插图、近百张图表,全面解读庄子理论。.
做事不讲逻辑、平日不爱思考,是很多人"心中的痛"。不知道如何正确、高效地思考,会严重拖累我们的人生!其实,要想活得更明白、保持好状态,只要把握思考的关键,就能大幅激活个人潜能,让专注、效率、灵感、智慧源源不断地涌现!《逻辑思考的100个关键》如同一个功能齐全的"应用商店",你可以根据个人情况,"下载"到有关效率、情绪、专注、沟通、记忆方面的APP,解锁各种各样的用脑秘笈,秒变学霸和工作达人!.
《老子》,洋洋五千言,文字简约而意境深远,被誉为"道家最精要之书",《庄子》,先秦散文之典范,其文风恣肆汪洋、意出尘外,其论说诡谲神秘、奇妙瑰丽。读《老子》,感受"无为"的智慧读《庄子》,体悟自由的美学。通观《老子》全篇,洋洋五千言全用韵文写成,多有对偶,以古音读之,大致合韵,今音读来亦有诗歌之节奏韵味。细细品读,却又不得不感叹其文字简约而意境深远。《庄子》又称《南华经》,被誉为先秦最有文采的哲学著作。作者庄子,名周,战国时期睢阳蒙县人,曾做过漆园吏,后厌恶仕途,隐居著书。书成后,共五十二篇,后散失,只剩得三十三篇,其中内篇七,外篇十五,杂篇十一。全书以内篇为核心,其中的《逍遥游》、《齐物论》和《大宗师》等集中反映了庄子的哲学思想。.
《不疯魔,不成活》以四色图文本形式,收录了刘墉最新散文作品。是他66载人生沉淀和感悟的总结。散文共有"红尘""画魂""诗心""童趣"四章共28篇文章,这些文章都是首次在大陆发表,依然是熟悉的幽默的语言,但是这次他不讲别人的故事,而是追忆自己66年的生活,感悟生活,和读者一起交流吃苦也像享乐的岁月。文与图相互映照,浑然一体。 《不疯魔,不成活》这本书选入60幅作者国画作品,并且配有详细的图注,是目前作者已出版书中,插图最多且唯一附有详细图注的作品。刘墉师从黄君璧等国画大家,传承中国传统国画的精髓,吸收西方创作方法,开创了自己的独特画作特点。每一幅丹青墨宝,都融入了作者对从前的人、事、物的感悟与怀念。每一幅都有着一个或长或短的故事,充满生活气息和情趣,可谓无声的散文。刘墉的画作已经多次在苏富比拍卖,深受欢迎。著名艺术评论家贾方舟、邵大箴等对他的作品也给与了高度的评价。所以,本书不仅有阅读价值,也有很大的收藏价值。 《不疯魔,不成活》还特别精选了刘墉以往的智慧箴言,放置在每一节的后边。让读者在获得心灵的启迪与顿悟之时,也能学会一些简单的思考和处世方法,让人生的道路过得更洒脱、自如。.
本书作者通过心理学实验总结、剖析人们潜意识中存在的自己意识不到的偏见、谬误和错觉,比如稻草人谬误、归因偏误、逆火效应、群体思维、巨数法则、奥卡姆剃刀理论、事后归因偏误等等。.
本书四篇讲演录(创造的冲动、活动、自然界与生命、结语)中所提出的主要理论是:我们经验中的因素按其可变性来说是"清楚明白的",只要它们在重要性上所要求的那个适当时期内能够得到证实。.
Truth used to be based on reason. No more. What we feel is now the truest source of reality. Despite our obsession with the emotive and the experiential, we still face anxiety, despair, and purposelessness. How did we get here? And where do we find a remedy? In this modern classic, Francis A. Schaeffer traces trends in twentieth-century thought and unpacks how key ideas have shaped our society. Wide-ranging in his analysis, Schaeffer examines philosophy, science, art, and popular culture to identify dualism, fragmentation, and the decline of reason. Schaeffer's work takes on a newfound relevance today in his prescient anticipation of the contemporary postmodern ethos. His critique demonstrates Christianity's promise for a new century, one in as much need as ever of purpose and hope.
A stirring meditation on Black performance in America from the New York Times bestselling author of Go Ahead in the Rain “Whether heralding unsung entertainers or reexamining legends, Hanif Abdurraqib weaves together gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance. I read this book breathlessly.”—Brit Bennett, author of The Vanishing Half At the March on Washington in 1963, Josephine Baker was fifty-seven years old, well beyond her most prolific days. But in her speech she was in a mood to consider her life, her legacy, her departure from the country she was now triumphantly returning to. “I was a devil in other countries, and I was a little devil in America, too,” she told the crowd. Inspired by these few words, Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance. Abdurraqib writes prose brimming with jubilation and pain, infused with the lyricism and rhythm of the musicians he loves. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.
A stirring meditation on Black performance in America from the New York Times bestselling author of Go Ahead in the Rain “Whether heralding unsung entertainers or reexamining legends, Hanif Abdurraqib weaves together gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance. I read this book breathlessly.”—Brit Bennett, author of The Vanishing Half At the March on Washington in 1963, Josephine Baker was fifty-seven years old, well beyond her most prolific days. But in her speech she was in a mood to consider her life, her legacy, her departure from the country she was now triumphantly returning to. “I was a devil in other countries, and I was a little devil in America, too,” she told the crowd. Inspired by these few words, Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance. Abdurraqib writes prose brimming with jubilation and pain, infused with the lyricism and rhythm of the musicians he loves. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.
"Gaslighting" is suddenly in everyone's vocabulary. It's written about, talked about, tweeted about, even sung about. It's become shorthand for being manipulated by someone who insists that up is down, hot is cold, dark is light-someone who isn't just lying about such things, but trying to drive you crazy. The term has its origins in a 1944 film in which a husband does exactly that to his wife, his crazy-making efforts symbolized by the rise and fall of the gaslights in their home. In this timely and provocative book, Kate Abramson examines gaslighting from a philosophical perspective, investigating it as a distinctive moral phenomenon. Gaslighting, Abramson writes, is best understood as a form of interpersonal interaction, a particular way of fundamentally undermining someone. The gaslighter, Abramson argues, aims to make his target experience herself as incapable of reasoning, perceiving, or reacting in ways that would allow her to form appropriate beliefs, perceptions, or emotions in the first place. He seeks not only to induce in her this unmoored sense of herself but also to make it a reality. Using examples and analysis, Abramson gives an account of gaslighting and its immorality, and argues that such a discussion can help us understand other aspects of social life-from racism and sexism to the structure of interpersonal trust.
A philosopher examines the complicated phenomenon of gaslighting "Gaslighting" is suddenly in everyone's vocabulary. It's written about, talked about, tweeted about, even sung about (in "Gaslighting" by The Chicks). It's become shorthand for being manipulated by someone who insists that up is down, hot is cold, dark is light—someone who isn't just lying about such things, but trying to drive you crazy. The term has its origins in a 1944 film in which a husband does exactly that to his wife, his crazy-making efforts symbolized by the rise and fall of the gaslights in their home. In this timely and provocative book, Kate Abramson examines gaslighting from a philosophical perspective, investigating it as a distinctive moral phenomenon. Gaslighting, Abramson writes, is best understood as a form of interpersonal interaction, a particular way of fundamentally undermining someone. The gaslighter, Abramson argues, aims to make his target experience herself as incapable of reasoning, perceiving, or reacting in ways that would allow her to form appropriate beliefs, perceptions, or emotions in the first place. He seeks not only to induce in her this unmoored sense of herself but also to make it a reality. Using examples and analysis, Abramson gives an account of gaslighting and its immorality, and argues that such a discussion can help us understand other aspects of social life—from racism and sexism to the structure of interpersonal trust.
A look at how new technologies can be put to use in the creation of a more just society. Artificial Intelligence (AI) is not likely to make humans redundant. Nor will it create superintelligence anytime soon. But it will make huge advances in the next two decades, revolutionize medicine, entertainment, and transport, transform jobs and markets, and vastly increase the amount of information that governments and companies have about individuals. AI for Good leads off with economist and best-selling author Daron Acemoglu, who argues that there are reasons to be concerned about these developments. AI research today pays too much attention to the technological hurtles ahead without enough attention to its disruptive effects on the fabric of society: displacing workers while failing to create new opportunities for them and threatening to undermine democratic governance itself. But the direction of AI development is not preordained. Acemoglu argues for its potential to create shared prosperity and bolster democratic freedoms. But directing it to that task will take great effort: It will require new funding and regulation, new norms and priorities for developers themselves, and regulations over new technologies and their applications. At the intersection of technology and economic justice, this book will bring together experts—economists, legal scholars, policy makers, and developers—to debate these challenges and consider what steps tech companies can do take to ensure the advancement of AI does not further diminish economic prospects of the most vulnerable groups of population.
The renowned science writer, mathematician, and bestselling author of Fermat's Last Theorem masterfully refutes the overreaching claims the "New Atheists," providing millions of educated believers with a clear, engaging explanation of what science really says, how there's still much space for the Divine in the universe, and why faith in both God and empirical science are not mutually exclusive.A highly publicized coterie of scientists and thinkers, including Richard Dawkins, the late Christopher Hitchens, and Lawrence Krauss, have vehemently contended that breakthroughs in modern science have disproven the existence of God, asserting that we must accept that the creation of the universe came out of nothing, that religion is evil, that evolution fully explains the dazzling complexity of life, and more. In this much-needed book, science journalist Amir Aczel profoundly disagrees and conclusively demonstrates that science has not, as yet, provided any definitive proof refuting the existence of God.Why Science Does Not Disprove God is his brilliant and incisive analyses of the theories and findings of such titans as Albert Einstein, Roger Penrose, Alan Guth, and Charles Darwin, all of whose major breakthroughs leave open the possibility— and even the strong likelihood—of a Creator. Bolstering his argument, Aczel lucidly discourses on arcane aspects of physics to reveal how quantum theory, the anthropic principle, the fine-tuned dance of protons and quarks, the existence of anti-matter and the theory of parallel universes, also fail to disprove God.
From Batman Begins to Tom Clancy, How to Justify Torture shows how contemporary culture creates simplified narratives about good guy torturers and bad guy victims, how dangerous this is politically, and what we can do to challenge it. If there was a bomb hidden somewhere in a major city, and you had the person responsible in your custody, would you torture them to get the information needed to stop the bomb exploding, preventing a devastating terrorist attack and saving thousands of lives? This is the ticking bomb scenario — a thought experiment designed to demonstrate that torture can be justified. In How to Justify Torture, cultural critic Alex Adams examines the ticking bomb scenario in-depth, looking at the ways it is presented in films, novels, and TV shows — from Batman Begins and Dirty Harry to French military thrillers and home invasion narratives. By critiquing its argument step by step, this short, provocative book reminds us that, despite what the ticking bomb scenario will have us believe, torture can never be justified.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The burger, long the All-American meal, is undergoing an identity crisis. From its shifting place in popular culture to efforts by investors such as Bill Gates to create the non-animal burger that can feed the world, the burger's identity has become as malleable as that patty of protein itself, before it is thrown on a grill. Carol Adams's Burger is a fast-paced and eclectic exploration of the history, business, cultural dynamics, and gender politics of the ordinary hamburger. Object Lessons is published in partnership with an essay series in The Atlantic.
Some people have something to say in any conversation and can spot the hidden angles of completely unrelated problems; but how do they do it? So many books, apps, courses, and schools compete for our attention that the problem isn't a lack of opportunity to sharpen our minds, it's having to choose between so many options. And yet, more than two thousand years ago, the greatest thinker of Ancient Greece, Aristotle, had already discovered the blueprint of the human mind. Despite the fact that the latest cognitive science shows his blueprint to be exactly what sharpens our reasoning, subtlety of thought, and ability to think in different ways and for ourselves, we have meanwhile replaced it with a simplistic and seductive view of intelligence, education and the mind. Condensing that blueprint to six 'secrets', Craig Adams uncovers the underlying patterns of every discussion and debate we've ever had, and shows us how to be both harder to manipulate and more skilful in any conversation or debate – no matter the topic.
What if, on the final night of his earthly existence, the Buddha experienced a second Enlightenment, leading him to radically revise his teachings about the self, the world, and spiritual fulfillment? And what if that final teaching, lost for over 2000 years, was rediscovered? "The Deathbed Sutra of the Buddha" purports to offer that final conversation, part teaching and part confession, between the Buddha and his trusted attendant, Ananda. Sometimes touching, sometimes shocking, and sure to spark controversy everywhere, The Deathbed Sutra forces Buddhists and scholars of Buddhism to seriously re-evaluate fundamental aspects of the tradition. Regardless of how readers assess this work - as a hoax or as a legitimate lost teaching of the Enlightened One - they will find its content to be a serious challenge to long-held positions about the nature of the self, the nature of reality, and the path to enlightenment. This short work will be a must read for anyone with a serious interest in the teachings of the Buddha.
Peter Adamson explores the rich intellectual history of the Byzantine Empire and the Italian Renaissance. Peter Adamson presents an engaging and wide-ranging introduction to the thinkers and movements of two great intellectual cultures: Byzantium and the Italian Renaissance. First he traces the development of philosophy in the Eastern Christian world, from such early figures as John of Damascus in the eighth century to the late Byzantine scholars of the fifteenth century. He introduces major figures like Michael Psellos, Anna Komnene, and Gregory Palamas, and examines the philosophical significance of such cultural phenomena as iconoclasm and conceptions of gender. We discover the little-known traditions of philosophy in Syriac, Armenian, and Georgian. These chapters also explore the scientific, political, and historical literature of Byzantium. There is a close connection to the second half of the book, since thinkers of the Greek East helped to spark the humanist movement in Italy. Adamson tells the story of the rebirth of philosophy in Italy in the fifteenth and sixteenth centuries. We encounter such famous names as Christine de Pizan, Niccolò Machiavelli, Giordano Bruno, and Galileo, but as always in this book series such major figures are read alongside contemporaries who are not so well known, including such fascinating figures as Lorenzo Valla, Girolamo Savonarola, and Bernardino Telesio. Major historical themes include the humanist engagement with ancient literature, the emergence of women humanists, the flowering of Republican government in Renaissance Italy, the continuation of Aristotelian and scholastic philosophy alongside humanism, and breakthroughs in science. All areas of philosophy, from theories of economics and aesthetics to accounts of the human mind, are featured. This is the sixth volume of Adamson's History of Philosophy Without Any Gaps, taking us to the threshold of the early modern era.
Peter Adamson and Jonardon Ganeri present a lively introduction to one of the world's richest intellectual traditions: the philosophy of classical India. They begin with the earliest extant literature, the Vedas, and the explanatory works that these inspired, known as Upaniṣads. They also discuss other famous texts of classical Vedic culture, especially the Mahābhārata and its most notable section, the Bhagavad-Gīta, alongside the rise of Buddhism and Jainism. In this opening section, Adamson and Ganeri emphasize the way that philosophy was practiced as a form of life in search of liberation from suffering. Next, the pair move on to the explosion of philosophical speculation devoted to foundational texts called 'sutras,' discussing such traditions as the logical and epistemological Nyāya school, the monism of Advaita Vedānta, and the spiritual discipline of Yoga. In the final section of the book, they chart further developments within Buddhism, highlighting Nagārjuna's radical critique of 'non-dependent' concepts and the no-self philosophy of mind found in authors like Dignāga, and within Jainism, focusing especially on its 'standpoint' epistemology. Unlike other introductions that cover the main schools and positions in classical Indian philosophy, Adamson and Ganeri's lively guide also pays attention to philosophical themes such as non-violence, political authority, and the status of women, while considering textual traditions typically left out of overviews of Indian thought, like the Cārvaka school, Tantra, and aesthetic theory as well. Adamson and Ganeri conclude by focusing on the much-debated question of whether Indian philosophy may have influenced ancient Greek philosophy and, from there, evaluate the impact that this area of philosophy had on later Western thought.