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The New York Times–bestselling "first-rate spy story" of the FBI agent who sold top-secret information to the Russians for more than twenty years (Entertainment Weekly). Drawing from a wide variety of sources in the FBI, the Justice Department, the White House, and the intelligence community, Pulitzer Prize–winning author David A. Vise tells the story of how FBI counterintelligence agent Robert Philip Hanssen employed the very sources and methods his own nation had entrusted to him in a devious game of deceit—simply because he had something to prove. Vise also interweaves the narrative of how FBI director Louis B. Freeh led the government's desperate search for its betrayer among its own ranks, from the false leads, to the near misses, to its ultimate, shocking conclusion. Fascinating, gripping, and provocative, The Bureau and the Mole is a harrowing tale of how one man's treachery rocked a fraternity built on fidelity, bravery, and integrity—and how the dedicated perseverance of another brought him to justice. "Absorbing . . . Vise's account of Mr. Hanssen's road to becoming a double agent is fascinating." —Michiko Kakutani, The New York Times.
Spanning the underworld haunts of Montreal to Havana and Miami in the early days of the Cold War, Satellite Boy reveals the unlikely connection between an audacious bank heist and the “other Space Race” that gave birth to the modern communication age On April 6, 1965, Georges Lemay was relaxing on his yacht in a south Florida marina following one of the largest and most daring bank heists in Canadian history. For four years, the roguishly handsome criminal mastermind hid in plain sight, eluding capture and the combined efforts of the FBI, Interpol, and the Royal Canadian Mounted Police. His future appeared secure. What Lemay didn’t know was that less than two hundred miles away at Cape Canaveral, a brilliant engineer named Harold Rosen was about to usher in the age of global live television with the launch of the world’s first twenty-four-hour commercial communications satellite. Rosen’s extraordinary accomplishment would not only derail Lemay’s cushy life but change the world forever. Brimming with criminal panache and technological intrigue, and set against a turbulent and iconic period that includes the moon landing and the civil rights movement, Satellite Boy tells the largely forgotten, high-stakes story of the two equally driven men who inadvertently launched the modern era.
Catch Me If You Can is the true story of Frank W. Abagnale—alias Frank Williams, Robert Conrad, Frank Adams, and Robert Monjo—one of the most daring con men, forgers, imposters, and escape artists in history. In his brief but notorious criminal career, Abagnale donned a pilot's uniform and copiloted a Pan Am jet, masqueraded as the supervising resident of a hospital, practiced law without a license, passed himself off as a sociology professor, and cashed over $2.5 million in forged checks—all before he was twenty-one. Abagnale lived a sumptuous life on the lam—until the law caught up with him. Now recognized as the nation's leading authority on financial foul play, Abagnale is a charming rogue whose hilarious, stranger-than-fiction international escapades and ingenious escapes make Catch Me If You Can an irresistible tale of deceit.
The charismatic forger immortalized in the film Catch Me If You Can exposes the astonishing tactics of today's identity theft criminals and offers powerful strategies to thwart them based on his second career as an acclaimed fraud-fighting consultant.Consider these sobering facts: Six out of ten American companies and government agencies have already been hacked. An estimated 80 percent of birth certificate requests are fulfilled through the mail for people using only a name and a return address. So I could take your name and use my address, and get your birth certificate. From there I'm off to the races. Americans write 39 billion checks a year, and half of these folks never reconcile their bank statements. A Social Security number costs $49 on the black market. A driver's license goes for $90. A birth certificate will set you back $79. When Frank Abagnale trains law enforcement...
A mixture of bungled executions, strange last requests and classic final one-liners from medieval times to the present day. Sometimes it’s hard to be an executioner, trying to keep someone from popping up to make a quip when they should have spectacularly sunk without trace. Or to be told that the condemned to the guillotine won’t have a last drink for fear of ‘completely losing his head’. The business of death can be seriously absurd, and nothing illustrates this better than these tales of the gruesome and frankly ridiculous ways in which a number of ill-fated unfortunates met (or failed to meet) their maker. Geoffrey Abbott served for many years as a Yeoman Warder at the Tower of London. He now lives in the Lake District where he acts as a consultant on execution and torture to film and TV companies.
The ultimate collection of grisly tales from the gallows, guillotine and gas chamber in which the fairer sex gets it in the neck … From the tragic fate of Queen Marie Antoinette, who bravely faced the guillotine in front of a screaming mob, to the hastily improvised hanging of a sadistic mother and daughter team, Lipstick on the Noose is brimming with macabre true stories of executed women from around the world. Interspersed with quirky anecdotes both tragic and comic, plus contemporary illustrations, this is history at its most morbidly fascinating. The Law, in its wisdom, did not differentiate between men and women when it came to passing sentence of death on those found guilty of capital offences, and so in these pages you will read how, in some countries, many women were first tortured on the rack, in the boots, by the bridle, the water torture or the thumbscrews. They were whipped and exposed to public humiliation in the pillory; they died by the rope, axe, and sword; by the electric chair, the gas chamber, the firing squad; by being pressed beneath heavy weights or boiled to death, by lethal injection or burned at the stake; by being drowned, or beheaded by the guillotine or Scottish Maiden. Nor, afterwards, were they all given a decent burial; some were dissected, others skinned to provide bizarre souvenirs. A few, such as Margaret Clitheroe and Alice Lisle, were martyrs; some, such as Marie Brinvilliers and Mary Ann Cotton, were serial murderesses; others, like Elizabeth Barton and Mary MacLauchlan, were mentally unbalanced and, in more civilised times, would instead have been given the necessary psychiatric treatment. Some executions were botched either by the executioners or by the equipment involved, yet despite the appalling ordeal they faced, some women were incredibly brave, some resigned to their fate; a few fought with the executioner, others were hysterical or in a state of collapse; some indeed were totally innocent, yet nevertheless were put to death. But even the Law with all its sombre overtones has its lighter side, and so the cases are interspersed with quirky quotes.
The business of death can be seriously absurd, and nothing illustrates this better than these gruesome true tales. This gory compendium details the frankly ridiculous ways in which a number of ill-fated unfortunates met (or failed to meet) their maker at the hands of lamentably inept executioners. With black and white illustrations, this book brings together a mixture of bungled executions, strange last requests and classic one-liners from medieval times to the present day.
In these grisly tales from the gallows, guillotine and gas chamber the fairer sex get it in the neck. You have been warned. From the Yorkshire Witch, who was accused of murder when a potion for good health turned out to be fatal, to the woman who survived the gallows and took her empty coffin away with her, Amazing True Stories of Female Executions is brimming with macabre true stories of executed women from around the world. Interspersed with quirky last requests, and with black and white illustrations throughout, this is history at its most morbidly fascinating.
New York Times bestselling authors Dan Abrams and David Fisher bring to life the incredible story of one of America's most publicized—and most surprising—criminal trials in history. No crime in history had more eyewitnesses. On November 24, 1963, two days after the killing of President Kennedy, a troubled nightclub owner named Jack Ruby quietly slipped into the Dallas police station and assassinated the assassin, Lee Harvey Oswald. Millions of Americans witnessed the killing on live television, and yet the event would lead to questions for years to come. It also would help to spark the conspiracy theories that have continued to resonate today. Under the long shadow cast by the assassination of America's beloved president, few would remember the bizarre trial that followed three months later in Dallas, Texas. How exactly does one defend a man who was seen pulling the trigger in front of millions? And, more important, how did Jack Ruby, who fired point-blank into Oswald live on television, die an innocent man? Featuring a colorful cast of characters, including the nation's most flamboyant lawyer pitted against a tough-as-Texas prosecutor, award-winning authors Dan Abrams and David Fisher unveil the astonishing details behind the first major trial of the television century. While it was Jack Ruby who appeared before the jury, it was also the city of Dallas and the American legal system being judged by the world.
New York Times bestselling authors Dan Abrams and David Fisher bring to life the incredible story of one of America's most publicized—and most surprising—criminal trials in history. No crime in history had more eyewitnesses. On November 24, 1963, two days after the killing of President Kennedy, a troubled nightclub owner named Jack Ruby quietly slipped into the Dallas police station and assassinated the assassin, Lee Harvey Oswald. Millions of Americans witnessed the killing on live television, and yet the event would lead to questions for years to come. It also would help to spark the conspiracy theories that have continued to resonate today. Under the long shadow cast by the assassination of America's beloved president, few would remember the bizarre trial that followed three months later in Dallas, Texas. How exactly does one defend a man who was seen pulling the trigger in front of millions? And, more important, how did Jack Ruby, who fired point-blank into Oswald live on television, die an innocent man? Featuring a colorful cast of characters, including the nation's most flamboyant lawyer pitted against a tough-as-Texas prosecutor, award-winning authors Dan Abrams and David Fisher unveil the astonishing details behind the first major trial of the television century. While it was Jack Ruby who appeared before the jury, it was also the city of Dallas and the American legal system being judged by the world.
Instant New York Times bestseller!A USA Today Top 10 Hot Book for Summer"Makes you feel as if you are watching a live camera riveted on a courtroom more than 150 years ago." —Diane Sawyer The true story of Abraham Lincoln's last murder trial, a case in which he had a deep personal involvement—and which played out in the nation's newspapers as he began his presidential campaignAt the end of the summer of 1859, twenty-two-year-old Peachy Quinn Harrison went on trial for murder in Springfield, Illinois. Abraham Lincoln, who had been involved in more than three thousand cases—including more than twenty-five murder trials—during his two-decades-long career, was hired to defend him. This was to be his last great case as a lawyer.What normally would have been a local case took on momentous meaning. Lincoln's debates with Senator Stephen Douglas the previous fall had gained him a national following, transforming the little-known, self-taught lawyer into a respected politician. He was being urged to make a dark-horse run for the presidency in 1860. Taking this case involved great risk. His reputation was untarnished, but should he lose this trial, should Harrison be convicted of murder, the spotlight now focused so brightly on him might be dimmed. He had won his most recent murder trial with a daring and dramatic maneuver that had become a local legend, but another had ended with his client dangling from the end of a rope.The case posed painful personal challenges for Lincoln. The murder victim had trained for the law in his office, and Lincoln had been his friend and his mentor. His accused killer, the young man Lincoln would defend, was the son of a close friend and loyal supporter. And to win this trial he would have to form an unholy allegiance with a longtime enemy, a revivalist preacher he had twice run against for political office—and who had bitterly slandered Lincoln as an "infidel...too lacking in faith" to be elected.Lincoln's Last Trial captures the presidential hopeful's dramatic courtroom confrontations in vivid detail as he fights for his client—but also for his own blossoming political future. It is a moment in history that shines a light on our legal system, as in this case Lincoln fought a legal battle that remains incredibly relevant today.
Frieda "Fritizie" Mann had several identities during her brief life, and the mysterious circumstances of her death raise as many questions as they do answers. She was born in 1903 near the present border between Poland and Ukraine. She and her family were Jewish immigrants who traveled to San Diego to find security and prosperity. In the last year of her life, Mann became locally famous. She had reinvented herself as a flapper and "Oriental" dancer. She claimed to have friends in Hollywood and a movie contract. On the night of her murder, she said she was going to a party to meet her Hollywood friends; instead she traveled to an isolated roadside hotel where she met her death. An autopsy revealed that she was four and a half months pregnant. Historian Amy Absher guides the listener through the intricacies of this true crime story as it unfolded, from the initial flawed investigation to the sensationalized press coverage and the ultimate failure of the legal system to ensure justice on Mann's behalf. Like other "new women" of her era, Fritzie Mann adopted roles that promised liberation from the control of men. In the end, her life and early death suggest the opposite: she became the victim of a culture that consumed women even as it purported to celebrate them. Contains mature themes.
A "fast-moving" true account of life in a New York City police station with "a rare understanding of officers involved in extreme situations" ( San Diego Sun ). Manhattan's 19th precinct includes more than three dozen foreign consulates and the homes of some of the city's richest and most powerful citizens, including Gracie Mansion—yet even these wealthy and sophisticated environs aren't immune to bloodshed, brutality, and various dark dealings. In this book, a police reporter and Edgar Award-winning crime writer describes the day-to-day life of the law enforcement officers who patrol this Upper East Side neighborhood—and know the truth about what goes on behind the facades. "Fast-paced and dramatic . . . an effort that the famous chronicler of police life Joseph Wambaugh might envy." — Minneapolis Star-Tribune "Moving . . . revealing . . . excellent." — Newsday.
"Beautifully written, impeccably researched, and told with the air of suspense that few writers can handle, Wastelands is a story I wish I had written." —From the Foreword by John Grisham The once idyllic coastal plain of North Carolina is home to a close-knit, rural community that for more than a generation has battled the polluting practices of large-scale farming taking place in its own backyard. After years of frustration and futility, an impassioned cadre of local residents, led by a team of intrepid and dedicated lawyers, filed a lawsuit against one of the world’s most powerful companies—and, miraculously, they won. As vivid and fast-paced as a thriller, Wastelands takes us into the heart of a legal battle over the future of America’s farmland and into the lives of the people who found the courage to fight. There is Elsie Herring, the most outspoken of the neighbors, who has endured racial slurs and the threat of a restraining order to tell the story of the waste raining down on her rooftop from the hog operation next door. There is Don Webb, a larger-than-life hog farmer turned grassroots crusader, and Rick Dove, a riverkeeper and erstwhile military judge who has pioneered the use of aerial photography to document the scale of the pollution. There is Woodell McGowan, a quiet man whose quest to redeem his family’s ancestral land encourages him to become a better neighbor, and Dr. Steve Wing, a groundbreaking epidemiologist whose work on the health effects of hog waste exposure translates the neighbors’ stories into the argot of science. And there is Tom Butler, an environmental savant and hog industry insider whose whistleblowing testimony electrifies the jury. Fighting alongside them in the courtroom is Mona Lisa Wallace, who broke the gender barrier in her small southern town and built a storied legal career out of vanquishing corporate giants, and Mike Kaeske, whose trial skills are second to none. With journalistic rigor and a novelist’s instinct for story, Corban Addison's Wastelands captures the inspiring struggle to bring a modern-day monopoly to its knees, to force a once-invincible corporation to change, and to preserve the rights—and restore the heritage—of a long-suffering community.
"Beautifully written, impeccably researched, and told with the air of suspense that few writers can handle, Wastelands is a story I wish I had written." —From the Foreword by John Grisham The once idyllic coastal plain of North Carolina is home to a close-knit, rural community that for more than a generation has battled the polluting practices of large-scale farming taking place in its own backyard. After years of frustration and futility, an impassioned cadre of local residents, led by a team of intrepid and dedicated lawyers, filed a lawsuit against one of the world’s most powerful companies—and, miraculously, they won. As vivid and fast-paced as a thriller, Wastelands takes us into the heart of a legal battle over the future of America’s farmland and into the lives of the people who found the courage to fight. There is Elsie Herring, the most outspoken of the neighbors, who has endured racial slurs and the threat of a restraining order to tell the story of the waste raining down on her rooftop from the hog operation next door. There is Don Webb, a larger-than-life hog farmer turned grassroots crusader, and Rick Dove, a riverkeeper and erstwhile military judge who has pioneered the use of aerial photography to document the scale of the pollution. There is Woodell McGowan, a quiet man whose quest to redeem his family’s ancestral land encourages him to become a better neighbor, and Dr. Steve Wing, a groundbreaking epidemiologist whose work on the health effects of hog waste exposure translates the neighbors’ stories into the argot of science. And there is Tom Butler, an environmental savant and hog industry insider whose whistleblowing testimony electrifies the jury. Fighting alongside them in the courtroom is Mona Lisa Wallace, who broke the gender barrier in her small southern town and built a storied legal career out of vanquishing corporate giants, and Mike Kaeske, whose trial skills are second to none. With journalistic rigor and a novelist’s instinct for story, Corban Addison's Wastelands captures the inspiring struggle to bring a modern-day monopoly to its knees, to force a once-invincible corporation to change, and to preserve the rights—and restore the heritage—of a long-suffering community.
From the only American journalist ever to have been admitted to the insular Tokyo Metropolitan Police Press Club: a unique, firsthand, revelatory look at Japanese culture from the underbelly up. At nineteen, Jake Adelstein went to Japan in search of peace and tranquility. What he got was a life of crime . . . crime reporting, that is, at the prestigious Yomiuri Shinbun. For twelve years of eighty-hour work weeks, he covered the seedy side of Japan, where extortion, murder, human trafficking, and corruption are as familiar as ramen noodles and sake. But when his final scoop brought him face to face with Japan’s most infamous yakuza boss–and the threat of death for him and his family—Adelstein decided to step down . . . momentarily. Then, he fought back.In Tokyo Vice, Adelstein tells a riveting, often humorous tale of his journey from an inexperienced cub reporter—who made rookie mistakes like getting in a martial-arts battle with a senior editor—to a daring, investigative journalist with a price on his head. With its vivid, visceral descriptions of crime in Japan and an exploration of the world of modern-day yakuza that even few Japanese ever see, Tokyo Vice is a fascination, and an education, from first to last.From the Hardcover edition.
'Exceptional.' VAL McDERMID 'Gripping . . . and ultimately enlightening.' PHILIPPE SANDS 'Extraordinary.' SEBASTIAN FAULKS 'Fascinating, erudite and beautifully written.' CHRISTIE WATSON A perspective-shattering work into the minds of violent criminals that reveals profound consequences for human nature and society at large. A BBC RADIO 4 and OBSERVER BOOK OF THE WEEK 'Effortlessly readable and deeply moving.' JOANNA CANNON, GUARDIAN 'Brilliant . . . a powerful myth buster.' SUNDAY TIMES 'Unmissable.' OBSERVER 'Compulsive reading.' MIRROR Serial homicide. Stalking. Arson. Gang crime. Who are the people behind these acts of terrible violence? What are their stories? And what is it like to sit opposite them? Dr Gwen Adshead is one of Britain's leading forensic psychiatrists, and she has spent thirty years providing therapy inside secure hospitals and prisons. Whatever her patient's crime she aims to help them to better know their minds by helping them to articulate their life experience. Through a collaboration with co-author Eileen Horne, Adshead brings her work to life in these fascinating, unflinching portraits of individuals who newspaper headlines, TV dramas and crime fiction label 'monsters'. Case by case, Adshead takes us into the treatment room and reveals these men and women in all their complexity and vulnerability. She sheds new light on the unpredictable nature of the therapeutic process as doctor and patient try to find words for the unspeakable. These are stories of cruelty and despair but also of change and recovery. In a time of increasing polarisation, in the face of overcrowded prisons and devastating cuts to mental health care, Adshead speaks to our shared humanity and makes the case for compassion over condemnation, empathy over fear. The Devil You Know challenges what we think we know about evil. It is a rare book that has the power to change minds. 'Urgent and invaluable.' DAVID LAMMY 'Remarkable . . . suffused with extraordinary compassion.' GAVIN FRANCIS 'Compelling . . . stories don't come any richer.' SARAH DUNANT 'Meticulous, elegant, provoking.' MARINA CANTACUZINO.
On October 24, 1961, Massachusetts wife and mother Joan Risch vanished seemingly into thin air. Even with her children home and neighbors nearby, Joan disappeared from her upscale suburban house, never to be heard from again. The search that followed was one of the most intensive investigations of its time, but detectives were unable to identify any suspects. Using extensive police casefiles and hundreds of newspaper articles written about the disappearance, this book carefully explores the story of Joan Risch and the investigation into her disappearance. With the assistance of a former FBI criminal profiler and an LA cold case detective, this book reports previously undisclosed facts from the investigation, including multiple witness statements. Also evaluated are the numerous theories on the disappearance, ultimately revealing a possible explanation of what happened to Joan Risch that fateful October afternoon.
A riveting true story of a mother who fought back against the drug cartels in Mexico, pursuing her own brand of justice to avenge the kidnapping and murder of her daughter— from a global investigative correspondent for The New York Times “Azam Ahmed has written a page-turning mystery but also a stunning, color-saturated portrait of the collapse of formal justice in one Mexican town.”—Steve Coll, Pulitzer Prize–winning author of Directorate S Fear Is Just a Word begins on an international bridge between Mexico and the United States, as fifty-six-year-old Miriam Rodríguez stalks one of the men she believes was involved in the murder of her daughter Karen. He is her target number eleven, a member of the drug cartel that has terrorized and controlled what was once Miriam’s quiet hometown of San Fernando, Mexico, almost one hundred miles from the U.S. border. Having dyed her hair red as a disguise, Miriam watches, waits, and then orchestrates the arrest of this man, exacting her own version of justice. Woven into this deeply researched, moving account is the story of how cartels built their power in Mexico, escalated the use of violence, and kidnapped and murdered tens of thousands. Karen was just one of the many people who disappeared, and Miriam, a brilliant, strategic, and fearless woman, begged for help from the authorities and paid ransom money she could not afford in hopes of saving her daughter. When that failed, she decided that “fear is just a word,” and began a crusade to track down Karen’s killers and to help other victimized families in their search for justice. What do people do when their country and the peaceful town where they have grown up become unrecognizable, suddenly places of violence and fear? Azam Ahmed takes us into the grieving of a country and a family to tell the mesmerizing story of a brave and brilliant woman determined to find out what happened to her daughter, and to see that the criminals who murdered her were punished. Fear Is Just a Word is an unforgettable and moving portrait of a woman, a town, and a country, and of what can happen when violent forces leave people to seek justice on their own.
A riveting true story of a mother who fought back against the drug cartels in Mexico, pursuing her own brand of justice to avenge the kidnapping and murder of her daughter— from a global investigative correspondent for The New York Times “Azam Ahmed has written a page-turning mystery but also a stunning, color-saturated portrait of the collapse of formal justice in one Mexican town.”—Steve Coll, Pulitzer Prize–winning author of Directorate S Fear Is Just a Word begins on an international bridge between Mexico and the United States, as fifty-six-year-old Miriam Rodríguez stalks one of the men she believes was involved in the murder of her daughter Karen. He is her target number eleven, a member of the drug cartel that has terrorized and controlled what was once Miriam’s quiet hometown of San Fernando, Mexico, almost one hundred miles from the U.S. border. Having dyed her hair red as a disguise, Miriam watches, waits, and then orchestrates the arrest of this man, exacting her own version of justice. Woven into this deeply researched, moving account is the story of how cartels built their power in Mexico, escalated the use of violence, and kidnapped and murdered tens of thousands. Karen was just one of the many people who disappeared, and Miriam, a brilliant, strategic, and fearless woman, begged for help from the authorities and paid ransom money she could not afford in hopes of saving her daughter. When that failed, she decided that “fear is just a word,” and began a crusade to track down Karen’s killers and to help other victimized families in their search for justice. What do people do when their country and the peaceful town where they have grown up become unrecognizable, suddenly places of violence and fear? Azam Ahmed takes us into the grieving of a country and a family to tell the mesmerizing story of a brave and brilliant woman determined to find out what happened to her daughter, and to see that the criminals who murdered her were punished. Fear Is Just a Word is an unforgettable and moving portrait of a woman, a town, and a country, and of what can happen when violent forces leave people to seek justice on their own.